Fyodor Dostoevsky

THE SUBJECT is very simple. A man conceives the idea of committing a crime; he matures it, commits the deed, defends himself for some time from being arrested, and finally gives himself up to the expiation of it. For once, this Russian artist has adopted the European idea of unity of action; the drama, purely psychological, is made up of the combat between the man and his own project. The accessory characters and facts are of no consequence, except in regard to this influence upon the criminal's plans. The first part, in which are described the birth and growth of the criminal idea, is written with consummate skill and a truth and subtlety of analysis beyond all praise. The student Raskolnikov, a nihilist in the true sense of the word, intelligent, unprincipled, unscrupulous, reduced to extreme poverty, dreams of a happier condition. On returning home from going to pawn a jewel at an old pawnbroker's shop, this vague thought crosses his brain without his attaching much importance to it: 1…